Stephen MacGregor, Amanda Cooper, Michelle Searle and Tiina Kukkonen
This blog post is based on the Evidence & Policy article, ‘Co-production and arts-informed inquiry as creative power for knowledge mobilisation’, part of the Special Issue on Creativity and Co-production.
The days of research reports going unread by all but their authors and articles being hidden behind publisher paywalls are giving way to more collaborative research approaches. One that has provoked great attention in recent years is co-production, an approach that acknowledges the unique knowledge and expertise different individuals can bring to the research process. However, the evidence base for co-production has not kept pace with the excitement surrounding it.
In our recent Evidence & Policy article, we asked, ‘How can seeing co-production as a creative endeavour create opportunities to move knowledge into action?’ To answer this question, we examined three cases focused on promoting shared understanding and action in the Canadian education sector. Each case used artful practices to promote meaningful reflection, understanding and representation of individual and communal experiences.
Unique to our study was the use of a realist perspective. Realist explanations look to develop reasoned pathways from specific mechanisms and contexts to observed outcomes (see Pawson & Tilley, 1997). Researchers typically refer to these as CMO configurations and represent the expression as: context + mechanism = outcome. These explanations are helpful because we can learn about the possibility of transferring lessons learned from one instance of co-production to another. What’s more, by comparing these CMO configurations across our three cases, we can identify common propositions about arts-informed approaches to co-production.
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